Nike undercover jun takahashi prezzo italia12/28/2023 ![]() ![]() More about the technologies to develop the shoes for future collections. Their techniques are very advanced, and I'd like to learn I went to Nike's headquarters in Portland and worked with I developed the whole apparel collection, but for this first time Nike did the shoes, I justĭid the coloring. Of the most advance performance fabrics in the world, and it was great to use This was one of the most important points for I wanted harmonyįor my collection, colors that blend in with the environment, fabrics that are Not practical - the colors are garish and attract attention. When I have time, I DJ by myself with the equipment in my studio.Media Platforms Design TeamWhen I would go to buy clothes for running from other brands, something was missing. In my studio, I check and listen to new releases online everyday. I want to listen to it when when I’m driving to the studio, but because my car is vintage the sound doesn’t work well so I can’t. Your love of music has always been at the forefront of what you do, what do you listen to when you wake up, in the studio and on the road? All those artists have their own world views, they have own way of approaching things, and are unique in their own ways. It started with imaginary bands that I created, then little by little it has developed and now we are actually making music. You’ve collaborated with Thom Yorke, Zomby and Mars 89 – what do they share with you and the brand? Tell us about the UNDERCOVER Records concept. Even now, I still have no clue what the future holds. ![]() ![]() It has been naturally changing along with the flow of my thoughts. ![]() How do you think UNDERCOVER has evolved and adapted since its inception in 1990? It wasn’t something that I intentionally chose to start. When I was studying design, I was somewhat forced to be in the band. We made the book hoping to give lots of people the opportunity to see the brilliant clothes that influenced us in our adolescence. Hiroshi and I were long-time collectors of Seditionaries. My philosophy of breaking down stereotypes remains unchanged. The punk era was hugely influential for you when you started UNDERCOVER – and created the incredible Seditionaries book with Hiroshi Fujiwara – does it still influence you today? The sensibility and intuition that I was born with. With meticulous attention to detail, an artisan approach and deep affection for art and music (think co-labs with Cindy Sherman and pieces riffing off the work of Patti Smith, Joy Division, David Bowie, Nirvana and Talking Heads) – Jun has long been joining the dots between mainstream and underground culture.ĭo you have a go-to source of inspiration when designing new products? It’s a scene that has inspired him and his Undercover collections ever since. It also led to his becoming the lead singer of punk-rock cover band Tokyo Sex Pistols and to launch his first clothing line AFFA (Anarchy Forever Forever Anarchy). His love of the brand prompted him to create Seditionaries – a book documenting his and Hiroshi Fujiwara’s vast private collection of Seditionaries clothing. Having studied at Tokyo’s prestigious Bunka Fashion College, it was upon graduating in 1988 that Takahashi discovered Malcolm McLaren, Vivienne Westwood and London’s by-then well-established punk scene. And the label remains a pure expression of his creative spirit to this day. Born and raised in Tokyo, the Japanese designer’s heritage, alongside some fairly eclectic influences, have been woven into UNDERCOVER’s DNA since it was founded back in 1990. Jun Takahashi is the creative polymath behind cult label UNDERCOVER. ![]()
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